LOS ANGELES FINNISH INDEPENDENCE CELEBRATION 2014

LOS ANGELES FINNISH INDEPENDENCE CELEBRATION 2014

Kiitos Consul General Juha Markkanen and Tuula Markkanen for hosting such a beautiful celebratory event in Los Angeles.

Quoting from Ava Anttila’s most recent ‘AROUND LA WITH AVA®: Hail and Farewell’ (dedicated to her father Finnish Veteran Ari Anttila who I missed so very much at this year’s celebration):

‘There is a long legacy of individuals and organizations continuing in the Finnish tradition that will make sure that what is true, righteous, and proud in our history, heritage, and national treasure will live on. We will share our history; we will work hard; we will never forget; we will honor your Sisu and sacrifice.’

Here are some pictures of the the event by photographer Jonny Kahleyn:

Vintage Jewelry and Natural Parfums Sale  Until 12/15 (Use code HIMOM15 for a 15% discount)

Vintage Jewelry and Natural Parfums Sale Until 12/15 (Use code HIMOM15 for a 15% discount)

THIS ‘N’ THAT 2

Costume designer Susanna Puisto at Disney Studios in Burbank

SUSANNA PUISTO & DANA DELANY

Our Hollywood costume designer in residence, Susanna Puisto, is busy these days working her…um, behind off at the Disney Studios in Burbank. The hit series Body of Proof started shooting its third season there in August. The show stars Dana Delany, whom viewers may remember from the series Desperate Housewives and before that China Beach some 20 years ago. Dana and Susanna met on the set of The Right Temptation – a thriller that was shot in Utah 12 years ago. At that time Susanna was working for another star, Rebecca De Mornay, but ended up helping Dana Delany as well. Dana never forgot the sexy but stylish outfits Susanna created for her in that movie. So, when Body of Proof moved production from Rhode Island to LA, Dana remembered Susanna and invited her to become the costume designer for the show.

The star of Body of Proof, Dana Delany, tailor Syros Roshandel and costume designer Susanna Puisto at a wrap up party of Body of Proof in Hollywood.

Body of Proof is a procedural crime drama. The lead character, played by Delany, is a coroner, who used to be a neurosurgeon but after an accident that injured her hands, had to change careers. An eerily similar accident happened to Delany just as Body of Proof was about to start production of its first season. Dana was driving in Santa Monica. She came to an intersection. There was a car behind her. The female driver kept honking her horn at her, urging Dana to make a left turn. She finally relented and tried to turn left, but a bus crashed right into her car. The lady driver behind Dana fled the scene, leaving Delany in her smashed up car. They never caught the driver. But Dana says she believes in karma. She injured her hand in the accident just as the character she plays in Body of Proof. Dana believes there is a lesson in the accident – never to let anybody push you into doing anything you don’t want to do. Now Dana’s hand is better.

Dana Delany as Dr. Megan Hunt in Body of Proof

Susanna Puisto is the head of the costume department for the show. There are tailors, seamstresses, shoppers and other assistants working under her. Some clothes are purchased at the best boutiques of Beverly Hills, others are made from scratch. She and Susanna are the same size, so Susanna personally tries on clothes designed for Dana and emails the pictures to her. Susanna then supervises the first shot of each scene to make sure the new costume works out OK. She has to be constantly a few steps ahead of production schedule. Dozens of outfits are created for each episode. Many a woman might envy Susanna – she gets to shop Gucci, Prada and Dolce & Gabbana. But make no mistake – the working hours on the set are long and she also has to design less glamorous items, such as lab coats… Hey, who are we kidding – Susanna Puisto is in her dream job and just loves every minute of it!

Susanna Puisto on the set of Body of Proof

GAP

Finnish companies have been participating in gap – the Global Access Program at UCLA for 12 years now. In the program, MBA students create business plans for Finnish companies.

The executives of Vianova Systems Finland Ltd. The company creates visual models of large infrastructure projects, such as the subway extension to the city of Espoo.

The way it works is this: The Finnish technology agency Tekes collaborates with UCLA Anderson School of Management. Tekes and UCLA staff scour Finland and look for high tech companies that have a potential to expand their businesses beyond their country borders. They then gather up suitable and willing companies and bring their executives to LA to meet with the UCLA Anderson’s fully employed MBA students. Each company gets a team of five students to work for them. Together the executives and students discuss the needs of the company. Then the students start their research. They talk to at least a hundred people in the field – competitors, distributors, potential customers and the like. Then the students prepare a 30 page, investor quality business plan. It contains detailed recommendations on what to do and not to do – how to expand the business and where. It will be unveiled to each participating company executives and outside judges in a formal presentation in December. This year 12 Finnish companies are participating in the program. There are 53 companies in GAP 2012 altogether from all over the world. The Finnish GAP companies have revolutionary inventions ready to be monetized. One company makes bone out of a patient’s own stem cells, the other has come up with a gadget that recharges your cell phone cordlessly and the third turns you into a press photographer who can make money out of your pictures. The GAP program has been an enormous success. Over the years it has helped 133 Finnish companies grow and expand their businesses to the U.S.and elsewhere. For more information, go to: http://www.tekes.fi/gap

Kristian Tornivaara, CEO of Surma – a ship design company, with a member of his MBA team on the UCLA campus.

LONG, HOT SUMMER

As Labor Day is upon us, it’s time to glance at this past Summer. I hear it was chilly and rainy in Finland. The same cannot be said about the Summer here in San Fernando Valley. After having lived on the Westside for a few years, we relocated in the valley in June. Within the city limits, the weather in L.A. can vary immensely depending on which part of the city you live. You can have 68 degrees F on the coast and 105 in the Valley at the same time. At first, a fan in every room cooled us down sufficiently. However, come July, the weather started to heat up. When those days of a 100 F (38 Celsius), hit, we had to go and buy an air conditioning unit in the living room. It is a big, bulky thing standing in the corner with the gigantic exhaust pipe propped to the window. Not exactly an attractive conversation piece in the living room – more like a big, white elephant!

AC unit in the living room

That was OK for a while. However, the AC in the living room did nothing to the other rooms. The fan in my bedroom was blasting in full force but it was still too hot to sleep. In my utter desperation, one night I even brought coolers from the freezer to bed with me. The second AC we got is the kind you install on the window. It alleviated the situation considerably. My Summer days started and ended with a cold shower. In the meantime the plants in the garden were suffering in the blazing sun. I had to move some of them in the sun room, where – despite of its name – it is shady.

The ferns like it in the sun room.

The azalea didn’t like that either – it was too hot for it there, so I moved it back out – this time to a shady corner. I started taking our pit bull Monty out for our daily walks early in the morning. After 9 am it was way too hot to venture outside.

Monty the pit bull has made new firends in the neighborhood. His favorite buddy is an all white hybrid wolf named Osso.

I started organizing my other activities, such as going to the store, after sunset. Little by little you learn to live with the heat, just as people in Finland have learned to live with the cold. At least I’m a bit wiser now than some years ago, when I attempted to wash my car in the heat of the day. As I sprayed cold water from the garden hose onto the windshield, it cracked!

El Timo the cat has found a cool place on top of the refrigerator.

FINLAND LURES HOLLYWOOD

Tourists pose with movie character impersonators in front of Grauman’s Chinese Theatre in Hollywood.

Movie productions bring money and work to the filming locations. Therefore many states and countries offer incentives for film productions to come and shoot their movies in their turf. So far Finland has remained passive in the matter. But  after the formation of local film commissions a few years ago, plans are being hatched on how to lure Hollywood to make movies in Finland.

Warren Beatty directed and starred in the 1981 movie Reds. Though the film was about the Russian revolution, it was largely shot in Finland.

During the cold war Finland had the dubious honor of playing the Soviet Union in several Hollywood pictures. The Kremlin Letter, Telefon, Reds and Gorky Park were all shot in and around Helsinki. It was a perfect match – Hollywood needed a location that looked like Russia. And since filming in the actual Soviet Union was impossible at the time, Finland, namely Helsinki, filled the void. With its similar architecture, all that was needed were a couple of red banners, a Lenin’s picture, plus a few Russian signs and voilà – you were in Moscow!

Helsinki’s Uspenski Cathedral was used for its Russian style in the 1970 thriller The Kremlin Letter.

This, of course, is no longer the case. Today’s filmmakers can simply go to real Moscow – or any other part of Russia for that matter. That has left Finland cold. International movie shoots rarely film anything but nature documentaries there. And why would anyone want to film there? For its natural beauty? A little doubtful in the case of a feature film – there’s a lot of equally spectacular nature to be found in the United States and Canada – for a lesser price. However, Finland does have some historic sights, such as castles, churches, other old building and European streetscapes totally lacking in North America.

Finland offers splendid nature to enhance the look of a movie. Pictured: Repovesi National Park in Eastern Finland.

Hollywood productions are being lured by various countries with tax exemptions, free shooting permits and tax-free purchases. Hollywood favors low cost and cheap labor countries, such as Bulgaria, Romania and to the lesser extend –  the Czech Republic. However, the much more expensive New Zealand has also managed to enchant Hollywood.  The Lord of the Rings movies, King Kong and the Russell Crowe blockbuster Master and Commander: At World’s End, were all shot there. This summer the Hobbit, the Emperor and the Evil Dead were filmed in New Zealand.

Milford Sound is one of New Zealand’s most famous tourist attractions.

New Zealand Film Commission Director Michael Brook says that under certain conditions they reimburse film producers 15 percent of the money spent there. The island’s other attractions  include natural landscapes and opposite seasons compared to the northern hemisphere. So, summer scenes can be filmed there in January. Also, Canada’s Vancouver – a city about the size of Helsinki – has established itself as a Hollywood staple. The city can accommodate 40 big film productions simultaneously. Vancouver will pardon a third of the taxes, if the film crew  uses mostly local talent. Also 40 U.S. states offer incentives. For example, Louisiana and New York give a 30 per cent tax relief to movie productions that shoot there.

Finnish film commissioners Päivi Söderström and Teija Raninen at the Scandinavian Locations event in Los Angeles.

Finland and the other Nordic film commissions have come together under the banner “Scandinavian Locations”. Finnish film commissioners Teija Raninen and Päivi Söderström recently visited Los Angeles in this capacity with their Scandinavian colleagues to market Finnish locations to Hollywood producers. There are four regional film commissions in Finland. Oddly enough, Helsinki does not have one. So any inquiries from Hollywood or other international film producers are directed to the local production companies or the city tourism office.

Consul general of Finland, Kirsti Westphalen and film commissioner Päivi Söderström at the Scandinavian Locations event at Hotel Figueroa, downtown LA.

The Finnish film commissioners advertised Finland in Hollywood as a naturally beautiful country with many industry professionals ready to be hired and eager background actors willing to work for a meal. Other advantages of shooting  in Finland include flexibility and security.

Turku Castle was seen in the 1967 Ken Russell spy thriller Billion Dollar Brain, starring Michael Caine.

Finland cannot boast about low prices or incentives, though. A free three day search for shooting locations hardly counts as a tempting incentive. Finnish film officials have not even considered tax relief. Instead, the film commissioners have proposed a quirky solution: The producers could apply part of  the money back that they used in Finland. The reimbursement would be subject to a scoring system. Criteria would include artistic content, local employment, whether the movie has a Finnish co-producer and whether Finland will retain any intellectual property rights. A jury would then assess each production separately.

Päivi Söderström – a film commissioner from Finland travels once a year to Hollywood to tell film producers about the benefits of shooting in Finland.

Such a system, however, would be highly complicated and impractical to a film producer trying to make his budget. How is he or she to know the outcome of that assessment in advance and be able to accurately calculate the real costs of shooting  in Finland? A simple tax credit would be far better. It could include some conditions – such as having to use a certain number of local talent and crew, just like in Canada.

The 2011 action movie Hanna featured breathtaking Finnish winter sceneries. the movie was partially shot in Kuusamo, North Eastern Finland.

It makes a lot of financial sense to try to get movie productions to come and shoot in Finland. Economic benefits can be sizable – especially in rural areas struggling with recession. Motion Picture Association of America – a lobbying arm for the movie industry – recently published a study on the financial impact of movie shoots. According to the study, film productions and state incentives are a boost to the local film professionals and other industries, such as hotels, restaurants and caterers. Producers go to the cheapest possible locations that meet their artistic and other needs. For example, the TV series Body of Proof moved production from Rhode Island to Los Angeles, because the show got better tax benefits in LA. And this despite the fact that the story is set in Philadelphia!

Costume designer Susanna Puisto works on the set of Body of Proof at Disney Studios in Burbank .The show recently relocated to Los Angeles because of more favorable tax benefits.

In late winter of 2010, an American action movie Hanna shot for five days in Kuusamo. The production left a million dollars to the area suffering from high unemployment. Other economic opportunities film productions provide include product placement, geocaching and film tourism.

The 1965 musical the Sound of Music was shot on location in Austria.

The Sound of Music premiered back in 1965. The musical was shot in the beautiful Austrian locations. Even today, the film still draws tourists to Austria. Therefore, it is important for Finnish officials and politicians to come together and come up with a comprehensive scheme that includes heavy tax advantages to lure Hollywood movies to shoot in Finland. Movie shoots bring money, work, fame and visibility to the shooting locations. They boost tourism and interest in the country and benefit the local economy.

Lake Pielinen in the Koli National Park, Eastern Finland

AN OSCAR NIGHT TO REMEMBER

REPORTER: TOMI HINKKANEN – HOLLYWOOD
DATE: 2.27 2012

 

The 84th annual Academy Awards sparkled with glamour, extravaganza and a brilliant host Billy Crystal. The French stole the show with the Artist, which won five Oscars, including best picture, director and male lead. Martin Scorcese’s Hugo tied with five Oscars.

After having spent the previous week on the red carpet, interviewing foreign directors and observing preparations, it was fascinating to see the actual arrivals onto the red carpet. It was actually purple in real life, but through TV magic, appeared as deep red.

Hollywood costume designer Susanna Puisto helped me critique the fashions. Classic 30’s Hollywood mermaid gowns ruled the day. The key word in spring fashion is peplum, a double layer skirt. For example, Michelle Williams wore one. Her coral red dress was designed by Louis Vuitton. Comedian Tina Fey was wearing a purple peplum gown  by Carolina Herrera. Cameron Diaz appeared in an off-white, tight Gucci dress, but her short straight hairdo was too casual. Glenn Close wore a black mourning coat. Susanna was not excited about it, but understood the older woman’s desire to cover her arms. Susanna was also turned off by the Artist’s Berenice Bejo’s pale green dress. Slim Angelina Jolie turned heads in her black black, strapless velvet gown by Ellie Saab. I think she was the queen of the evening. Sandra Bullock shined in a two-colored Marchesa dress. It included a white top and a black skirt. Susanna’s pick for the queen of the night was Gwyneth Paltrow in an off-white Tom Ford gown, which included a cape. Both Susanna and I felt that the turkey of the show was Jennifer Lopez. She was wearing a pearly white Zuhair Murad gown that had a cobweb kind of a pattern. Her dress was tight as a sausage skin. I thought she was like the amazing spider woman and Susanna saw her as a Las Vegas showgirl.

This was one of the best Oscar telecasts I have ever seen. The always brilliant Billy Crystal hosted for the ninth time. The Gala opened with a pre-taped insert that covered all 10 Best Picture nominees. Crystal kissed George Clooney on the mouth and Justin Bieber appeared for a couple of seconds, supposedly to lure the youth audience. Billy sang and knew how to turn embarrassing moments to his advantage. After a dull speech by the president of the Academy, Crystal said: “Thank you fow whipping the public into a frenzy.”  After a joke that fell flat he quipped:  “Well, the band liked it!”  Circue du Soleil’s group of acrobats flew across the auditorium and comedians Will Ferrell and Zach Galifianakis woke up the audience with their hilarious antics with cymbals. Saturday Night Live’s Kristen Wiig and Maya Rudolph presented the short subject Oscars.The women brightened up the rather dry category by risqué jokes that pondered about pros and cons of long and short things. The entire telecast lasted 3 hours and 7 minutes, which has the shortest Oscar show in recent memory.

Iran won he best foreign film Oscar with the divorce drama A Separation. Christopher Plummer won the supporting actor Oscar for Beginners, in which he played a dying gay man. “I’m only two years younger than the Oscar – where have you been all my life,” Plummer joked. This is his first win. He is 82 and the oldest Oscar winner ever. Octavia Spencer won the supporting actress category for the Help. Octavia was literally crying out loud and then endearingly urged herself to wrap up her speech. The handsome French actor Jean Dujardin grabbed the male lead Oscar for The Artist. The best lead actress Oscar went to Meryl Streep for her dead-on portrayal of Margaret Thatcher in the biopic the Iron Lady. This was Streep’s 17th nomination and  third win. “Oh, no, that woman again, I heard half of America crying out,” Meryl laughed. The Artist finally won the best picture. After the Wings won in 1929, this is the second time ever that a silent movie has won the top Oscar. 

 

OSCARS – THE GREATEST SHOW ON EARTH

REPORTER: TOMI HINKKANEN –HOLLYWOOD

DATE: Feb. 26th, 2012

The Academy Awards will be handed out today for the 84th time. The scene of the Oscars, the Hollywood and Highland Center has been buzzing all week as thousands of people have prepared for the big show.

Tomi Hinkkanen at the 84th annual Academy Awards in Hollywood

It takes carpenters, electricians, publicists, cameramen, directors, producers, presenters and numerous other people to create the Oscar experience. Early last week the stretch of Hollywood Boulevard between LaBrea and Highland Avenues was closed. The first thing to go up: the media bridge.

The media bridge, from where the network anchors bring you the Oscars.

This is where the star network anchors have been reporting for days leading to the gala tonight. It is an expensive piece of real estate. Networks pay premium for each little booth on the bridge. Reporters and photographers from all over the world have flown in to cover Hollywood’s biggest night.

Moments before the gala begins, last minute preparations are made.

This years’ contenders for the best foreign language movie come from Belgium, Canada, Iran, Israel and Poland.  At the foreign directors’ press conference Friday, four out of five countries vying for the best foreign film were present –Iran was absent. Its’ entry, A Separation, is a story of a middle class Iranian couple headed for a divorce.

Belgian director Michaël Roskam

Belgium’s entry, Bullhead, is a story of a cattle farmer, who is lured into dubious dealings with a shady businessman.

“I wanted to make a movie, which would evoke a sense of redemption instead of judgment in the end,” director Michaël Roskam explains. This is his second feature and there’s more to come – he plans to start writing his next script in the near future. He says that just to be nominated for an Oscar is an honor.

“It’s almost like a title given to a nobleman – an Oscar contender. For the rest of your life you will be known as such.”

Canadian director Philippe Falardeau

Canada’s entry, Monsieur Lazhar, is a story about an Algerian immigrant, who is hired a teacher after the former teacher has committed suicide. But as he assumes his new post, he must also deal with dramatic events unwinding in his own life. Director Philippe Falardeau believes the nomination will also shed light to other indie productions. He comes from the French speaking Quebec. The language drives the French speaking Canadians to create art.

“We are struggling to maintain our language, our identity. This pushes us to write books, make movies, plays and dance performances.”

His advice to young filmmakers is to be authentic.

“Think from the heart. Don’t imitate big Hollywood productions and don’t give any thought to Oscars.”

Israeli actor Shlomo Bar Aba

Israel’s Oscar-nominated film, Footnote, is a family drama about a father and a son with unresolved issues. The star of the film, Shlomo Bar Aba, is a veteran stage actor from Tel Aviv, known mainly for comedies and musical extravaganzas. This is his first movie role in 30 years. The success of Footnote from Cannes to Hollywood came to him as a surprise, but he believes it is due to the personal nature of the story.

“Everything revolves around the family. If we cane resolve our intimate family issues, we can also deal with global problems affecting relations between countries,” Bar Aba says through an interpreter.

“I myself had no chance to come to terms with my own father. My advice is: If your parents are still alive and you have unresolved issues with them, resolve them. If you don’t it’s going to haunt you for the rest of your life,” the actor concludes.

Agnieszka Holland, one of the top directors from Poland

Agnieszka Holland is one of the premier filmmakers of Poland. She is best known for her war time drama, Europa, Europa. Her current Oscar entry is called In Darkness. This film also takes place during WW2. In the Nazi-occupied Warsaw, a sewer worker and a thief helps the local Jews hide from the Nazis utilizing his knowledge of the sewer system.

“I wanted to point out with this story that the line between good and bad is blurry. It is easy for a person to step on each side of the line,” Agnieszka explains.

Since she has lived and worked through the Communist era, I ask her, what is it like to make movies in the post cold warPoland.

“Funny enough, when I look at my Iranian colleagues, I feel that somehow they have it easier. To be under oppression makes movie-making more meaningful. But I enjoy my freedom, even if the movies were less powerful as  a result.”

A German TV reporter is doing her stand-up on the red carpet.

A handful of Los Angeles Finns work in the entertainment industry.

Make-up artist Kristina Duff and CNN anchor Piers Morgan at Hollywood Reporter's pre-Oscar party in Hancock Park

I asked make-up artist Riku Campo, what goes into making a filmstar ready for the Oscars. As it turns out, it is a major operation.

Riku Campo - a Finnish make-up artist of the stars by Jonny Kahleyn

Riku Campo - a Finnish make-up artist of the stars

“A week or two before the show, the star goes to the teeth cleaning at the dentist. Then a week before he or she has a microdermabrasion and a facial deep cleansing. A couple of days before the gala, many of the stars take a spray tan. It takes a day or two to even out the tone”, Riku explains.

On the morning of the awards show, Riku Campo shows up at the star’s dressing room.

“They usually check into a hotel a night before, even if they live inL.A.It’s just easier to do all the preparations in a hotel than at home. As I arrive around 10.30 am, the room is already buzzing of people. There’s the star’s publicist, agent, manager, pedicurist, hairstylist, fashion stylist and sometimes family members – about ten people altogether.”

Campo has been given a picture of the star’s gown earlier, so that he can plan for an appropriate make-up.

“Pedicure and manicure are done first. At the same time, the hair stylist works on the actor’s hair. Once the hair has been blow-dried and rolled up, I create the make-up foundation and after that the whole make-up. After that the hair is opened up and finishes, the star is dressed and body make-up applied.”

The whole process costs thousands of dollars, but is worth every penny, as the limousine door opens and the star steps onto the red carpet. The TV lights are so bright and the high definition cameras so brutally sharp that without a perfect make-up the star would look horrible. Riku Campo’s books, containing make-up tips is called Best in Beauty and is available on Amazon.

Costume designer Susanna Puisto by Jonny Kahleyn

Costume designer Susanna Puisto

Costume designer Susanna Puisto has created outfits for the A-listers Faye Dunaway, Michael Douglas and Leonardo DiCaprio among others. She is currently working on the procedural show Body of Proof, starring Dana Delaney.

“The Academy Awards are the most elegant of all the awards ceremonies. The gown has to look at the same time classy and stunning. There’s the body contouring mermaid gown and the princess look, with a wider skirt,” Susanna characterizes.

 

Gigantic Oscar statuettes welcome the audience at the Hollywood and Highland center.Since the Oscars end the long awards season, most of the stars have already been to at least half a dozen galas. Each require a different gown. While the star is not reimbursed for her time it takes her to pick and choose and fit all the outfits, the clothes are given to her free by the fashion designers wanting exposure for their creations. Susanna anticipates a colorful Oscar gala.A Los Angeles sculptor George Stanley designed the Oscar statue back in 1929. It has endured and remains the symbol of the Academy Awards even today.

“I believe we will see a lot of color. The trend colors for this spring are cobalt blue, orange, yellow, green, even neon colors. This reminds me of the 80’s. Peplums are is fashion. They are like double-decked skirts that can be worn over slacks or as a blouse.”

The last minute preparations in dressing a star include attaching the gown carefully with tape to avoid any wardrobe malfunctions.

“If the designer fails, the critique the next day is murderous.”

She will ring in the Oscars at home with friends, sipping champagne and eating little nibbles, paying special attention to the red carpet arrivals.

“There’s always surprises – and hopefully some catastrophes!”

Producer Joni Labaqui at the Golden Age Theater gives Oscar themed walking tours in Hollywood.

At the eve of the Oscars, I took a walking tour of the Oscars past and present, given by producer Joni Labaquin of the Golden Age Theater.

We visited the Roosevelt Hotel, the site of the very first Academy Awards ceremony in May of 1929.

“Douglas Fairbanks hosted. The dinner tickets cost five dollars. There were only 15 Oscar categories, whereas there are 24 today. Two best picture Oscars were given – one for a drama and another for a comedy. That first years’ winners included Clara Bow and Charlie Chaplin. The best drama picture was the Wings. It was the only silent film to ever win a best picture Oscar,” Labaquin says.

Finnish actress Anna Easteden, appearing at the Golden Age theater, took the walking tour before her performance.

If the modern silent film the Artist wins this year, that bit of history has to be rewritten. The tour then takes us to this year’s Oscar preparations. Peaking from the second floor balcony of theHollywoodandHighlandCenter, we are greeted by a peculiar sight: On the ground level there are people walking on the red carpet , carrying signs on their neck saying Jonah Hill, Natalie Portman, Cameron Diaz, Meryl Streep, Brad Pitt ja Angelina Jolie. However, “Angelina Jolie” is a man and “Brad Pitt” an African-American woman. “Meryl Streep” looks surprisingly youthful, about 25, wearing jeans and a sleeveless hirt.

Stand-ins for the stars rehearsed on the red carpet saturday.

“Those are stars’ stand-ins. They rehearse the actual stars’ every move in sequence on the red carpet for the director and the cameramen,” Joni Joni Labaquin tells.

Nothing is left to chance at the Oscars. Enjoy the gala!

Tomi Hinkkanen at the 84th annual Academy Awards in Hollywood

For the complete listing of all the nominees, events and winners, go to www.oscars.org